The Light is Important

Amy Kakoura reflects on her Talking Birds residency

Keep it to yourself, but there is something in Hotel 104.  I don’t know how long it’s been following me.  

I felt it moving around, the moment I asked to be here. It makes this dreadful, almost-sound, like a cough before it happens.  I don’t look straight at it.  

I keep my eyes forward these days. 

‘Play the Landscape’

Izzy Hadlum reflects on her Nest residency

For my Artist Residency at the Nest I was interested in exploring Environmental Sound Art, responding to the urban environment surrounding The Nest itself, alongside Coventry Canal. 

This Space is All Mine

Tizzie Frankish reflects on her nest residency

When I hear writers equate the writing journey with riding a roller coaster, I couldn’t agree more. It’s a cliché for a reason, right? A couple of years ago, my writing journey hit a bone-crushing low when my second agent left the industry, and I decided to get off the roller coaster. In fact, I shut down the writing-ride completely- which was fine for a year, until not writing began to feel just as disappointing as writing. Did this mean I was ready to get back on the writing-ride? Possibly… But did I want it to be the same ride…? Absolutely not! Destination Publication was no longer my ride of choice, but finding fun on ALL the rides was much more appealing (you can read all about these experiences here). Over the next year, I found joy in the creative process again- writing anything and everything, from pitches to proposals, to TV samples and scripts, articles and education, flash and non-fiction… and finding the fun in writing again sparked a new idea…

colour, pain and sound

Veronica Grant reflects on her Hatching Residency

During my Nest residency, I found myself filled with a mixture of excitement and trepidation. I had eagerly applied and been accepted, but I also felt the weight of my own expectations and the pressure to create something great during my time there.

The tools to unravel

Julia O’Connell reflects on her Hatching Residency

In early November I was fortunate to be a Nest resident. I submitted an application  previously and had sprawled out a myriad of ideas for exploration given the chance to have two whole weeks of headspace. I was excited and nervous.

In The Nest

Marianne White reflects on her Talking Birds Residency

Scroll down for text only version of Marianne’s blog.

Dolls House Gallery

Corinne and Daisy reflect on their Remote Nest Residency.

I’m Corinne a disabled artist. This year marks my sixth year of spending almost every day confined to this same 2 by 1.5 metre space, my bed.

I might want to go ‘off-piste’…

Rachel Bunce reflects on her Hatching residency

After spending 10 days on a relaxed retreat-style Swedish residency, I almost had some ideas. I was given space to play with the tools that I normally use to earn money and create with others. It was brilliant, fun and terrifying (in equal measure) to have total creative freedom without a brief! Chatting with Janet and realising I wanted to take one of my almost-ideas further gave me the impetus to apply for a Nest Residency. I’m so glad I did, and not just for my creativity and idea-forming but for my sense of community, my physical and my mental health. 

Swimming against the current

Po-Shin Chao reflects on her Hatching Residency

As an artist, for my residency my project focussed heavily on exploring and experimenting with ways I could reflect and display my own identity and internal struggles through the world of fish and marine life. An aspect I wanted to include was my cultural heritage; with the use of fish surrounding Taiwan included in my artwork, art styles and choosing fish that symbolized particular meanings. Many of the fish I wanted to paint were heavily inspired by hierarchies and societal roles in everyday life. I worked primarily in paints and inks related to traditional artworks such as gouache and calligraphy ink and spent the full ten days at the nest, popping in and out over the course of two months.

A Journey from Brain Waves to Slime Mould

Craig Clarke reflects on his Hatching Residency

I had known about the Nest Residency for a while after attending creative co-working several times. It had been on my to-do list for a while however an email stating that they were about to close applications promoted me to stop procrastinating and finally sort out my application. A few weeks later I got the good news of being accepted and an exchange of messages found some suitable dates.

a beautiful place to begin your ideas

Kemi Awoyemi reflects on her Talking Birds Residency

I had just arrived in the country and was in search of a job. Back in Lagos, Nigeria, I promised myself that moving to the UK meant I would fully explore my art any possible way I could. In a bid to escape idleness and overthinking I felt the need to create, the only question was how? I had no resources or contacts, let alone a suitable space to create. Google comforted me by leading me to the Nest residency. I discovered Talking Birds at the best time; actively chasing healing, seeking an outlet to express my fears and concerns creatively and most importantly a safe space. I did my research on them, sent in my application and within a period of time I got selected to be a part of the Nest residency. 

A Room to Breathe

Sam HH reflects on her Nest Residency

The Nest Residency gave me so much more than I had ever imagined it could.  So this is not just about what I did but what I gained. Not just creatively but personally. I had never been given space like this before. It felt greedy. Privileged. It felt overwhelmingly scary. I felt guilt – taking up space when it could have been used for someone else. Especially as I felt like I was maybe tricky.