Time (and time again)

Sarah Owen reflects on their second residency at the Nest

One of the last things I said before I finished my second residency at the Nest back in July 2022 was a tongue-in-cheek promise that it wouldn’t take me three months to write my blog about my experience, after I did exactly that last time. In my defence, I didn’t lie. However, taking eight months to write it instead was not exactly my intention. But! Better late than never, and I think I can (and I will) argue that it’s sort of appropriate for a person who spent their Nest residency working on a stage musical about time to also be consistently dogged by time as a concept. 

Don’t Touch My Hair

Rosa Francesca reflects on her Coventry Biennial Nest Residency

In 2021 I completed a Nest Residency on the subject of Black hair and the Natural Hair movement, particularly looking at how Black women’s relationship with their hair is often intruded upon, either physically by white people touching it without consent, or through unsolicited advice and comments  on its styling. My project was a cybernetic wig, using a variety of sensors to create an interactive wig that both entices and reprimands users to interact with the wig.

a freedom i’d not felt before

Tom Simkins reflects on his recent Hatching Residency

I finally managed to apply for my Hatching residency at Talking Birds.

I wanted to try out more movement and performance related work, and also explore my synesthesia. After a few initial ideas of how I might explore this, and some helpful and supportive conversations with the Birds I set out to see how I could explore or express my relationship with my senses in synesthesia through movement.

focus, clarity and some industrial strength coffee

Erinn Dhesi reflects on her Nestival Residency with Talking Birds

Writing doesn’t suck as much when you’re not writing from a hovel. Not that where I live is a physical hovel. Just a creative one. 

In the silence, I wrote a lot.

Navkiran Kaur Mann reflects on her Nestival Residency

I started my Nestival Residency with a sense of apprehension. Do I call myself an artist? As a person I am many things. I asked myself, does this label fit me? Do I belong in the arts? As a Brown woman I rarely see people who look like me in the arts.

The Drugs Don’t Work, But the coffee does

Filmmaker Adrian Dowling reflects on his Nestival Residency

It took me more than two months to apply to do the residency. I kept putting it off because I find those kind of things very difficult, but after attending one of the F13 meetings I felt quite comfortable in the space. Duncan Whitley [a former Talking Birds Resident] was pushing me, saying “Why don’t you do it? I think it would be good for you.” So I recorded a voice application with the help of my daughter, Kady, who’s doing all the technical stuff while I’m reading off some paper because I find it quite difficult to write things down.

Action Rayz in 3 Dimensions

Jazz Moreton and Alan Wan Wijgerden reflect on their Nest residency

Over the course of this residency, we developed a shared artistic voice that built on our individual experiences of disability. We had a great time examining our shared practice throughout this residency. Although Alan has more professional experience (an age thing, not a professionalism thing!), Jazz has a mind full of fresh ideas and solutions to almost any creative issue.

A window of uninterrupted music

Mason Le Long Reflects on his Hatching Residency with Talking Birds

To be honest, I thought it sounded too good to be true. Talking Birds promising to pay artists to come and work in their studios for ten days, and not even asking for any finished material at the end of it? I thought there must be more to it than meets the eye.

A place of permission

Anne Forgan reflects on her Hatching Residency

A place of permission.

I shouldn’t need it, but still I do.

No distraction

Matt Rheeston reflects on his Hatching Residency

For my Nest Residency I spent time exploring my creativity in a therapeutic way, through drawing, music, song writing and production.

Finding Joy

Nicola Richardson and Marianne Taviner reflect on their Hatching Residency

We are Nicola and Maz, the Directors of Vortex Creates. Vortex is a Coventry based organisation who for nearly 15 years have specialised in igniting the imagination of audiences through transforming spaces and creating showstopping costumes.

Scratching the Surface

Selina Masih reflects on her Nestival Residency

I had a great time at The Nest, A two-week art residency in the studio ‘Helloland’. It was painted in a cheerful yellow which made me instantly smile. Two whole weeks to fully immerse myself in this project, I was super excited! For over 2 years I’ve been waiting to find time to explore ‘paint carving’ an art-form I came across during lockdown, created by the Australian artist Hannah Jenson.